The Rare Review

Movies, books, music and TV

Enjoyable Kelton: “The Way of the Coyote” – Book Review

Like to read Westerns?  Elmer Kelton’s The Way of the Coyote (2000) is a dandy one.

A post-Civil War chronicle with former Unionists and Confederates, it also eminently concerns white youngsters kidnapped and raised by Comanche Indians.  This is what happened to Andy, no longer a youngster, who is rescued by Rusty Shannon after the former kills a vicious Comanche with an animus toward him.  Later in the book, Andy goes off to retrieve another lad whom the Comanches have kidnapped.  Meanwhile, good Rusty has problems with the scurvy Oldham brothers, who steal his farm.  Enemies come from all sides in Coyote.

Kelton’s novel is flawed in that, like numerous other Westerns, it has too many two-dimensional characters and in that Andy should be a little more callow and naive than he is after living so long with the Indians.  The plot, however, is expert, and the novel never gets boring.  The Comanches are not sanitized and carpetbaggers are unsympathetic.  What’s more, the author accords great respect to a Christian minister–Preacher WebbThe Way of the Coyote is a fun, wholesome read.

Juno – Movie Review. It’s Smart.

Weekend Movie ReviewIn Jason Reitman‘s smart, racy and delightful film, penned by Diablo Cody, Juno (Ellen Page) is a scrappy but sensitive teen girl who initiates sex with her male chum Paulie (Michael Cera) and afterwards gets big with child. She can’t bring herself to have an abortion but is too young to parent, so adoption is the only alternative.

The Tracey Fragments

The Tracey Fragments is a movie reviewed for ya by my bro Dean D.  Check it out and see if you agree. I plan on it. Especially since I never even heard of it.

Ellen Page stars as Tracey Berkowitz, an anguished, bullied, self-hating Canadian teenager in a film improbable and extravagant. Page’s acting is incisive, but her character is burdened with parents who are arrant fools, both of them, and she herself goes off to search for her much younger brother, Sonny, who has been missing for two days. It must be said it seems a hopeless quest: how does she know he wasn’t abducted? And get this: he disappeared after Tracey hypnotized the boy into thinking he was a dog! Tracey is mercilessly bullied by girls and boys alike. What, really, is behind this? Even her temporary boyfriend ends up being mean to her. Maureen Medved’s screenplay leaves the impression that no one likes the fact that Tracey has no breasts.

The next subject is the work of director Bruce McDonald. His multi-frame procedure, with freeze frames, distortions, repeated snatches of speech, etc. hauled in, is actually multi-frame artiness. Rarely was I pleased with it.

Fireproof – Saving a Marriage Movie

Fireproof (film)

Image via Wikipedia

Caleb is a firefighter, and town hero, who finds it impossible to save his dying marriage to Katherine, a public relations officer at a Georgia hospital. The forty-day marital counseling project Caleb takes on doesn’t work, but it becomes a kind of tool the Almighty uses to bring renewal to the damaged couple. Long before the marriage is mended, Caleb gives himself to Christ. It makes a difference.

The comic moments in Alex and Stephen Kendrick‘s film are lame and so is much, though not all, of the acting (Kirk Cameron is solid as Caleb, Erin Bethea respectable as Katherine) .

Changeling Movie Review

Dean's Movie Review

I got tired long ago of movies that focus on immoral, abusive police officers. There are too many of them. Clint Eastwood‘s “Changeling” does that, too, but I can take a small amount of comfort in the fact that ITS police officers exist numerous decades ago in the late 1920s.

Cover of "Changeling"

Cover of Changeling

And in the fact that there’s a brutal, psychopathic killer in the film whom the police don’t try to protect.

Ah, but what about all the snake-pit balderdash at the mental hospital to which poor Angelina Jolie is consigned?

“Changeling” is more intriguing than successful. Joe Morgenstern of the “Wall Street Journal” correctly points out that

a) folks in the Twenties didn’t jabber about self-esteem and

b) the woman played by Jolie and the preacher played by John Malkovich are together a lot “but don’t really interact.”

They should, but they don’t.

Eastwood’s film handles some grisly subject matter with an ineptitude so many of his other movies have been marked with as well.

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