The Rare Review

Movies, books, music and TV

The Film, “Intruder in the Dust” Succeeds

Intruder in the Dust (1949 film)

Intruder in the Dust (1949 film) (Photo credit: Wikipedia)

A brave old lady (Elizabeth Patterson) initiates the digging up of a dead body after nightfall to see what kind of bullet was used to kill the person.  The boys who assist her are brave too.  What prompts this action—a plot device in Clarence Brown‘s Intruder in the Dust (1949)—is the swift arrest of a black man, Lucas Beauchamp (Juano Hernandez), for the murder of a white man.

The film, based on a William Faulkner novel, is set in the South and was shot in Faulkner’s home town of Oxford, Mississippi.  A finely directed piece, it concerns the perennial struggle for the rule of law, for just procedures for every accused individual (a lesson needed in today’s America).  Lucas has a friendly relationship with a white boy called Chick (Claude Jarman, Jr.) and, in fact, with money, for he is a well-off farmer in a slowly changing America.  But the townspeople disdain his pride, and desire a lynching, and yet scriptwriter Ben Maddow does supply a few essentially good people.  In the case of the murdered man’s father (a strong Porter Hall), this seems to be due to the gent’s having been seasoned by harsh life—the very thing Faulkner never ignored.

I Shan’t Finish “1900”

The film 1900 (1976), by Bernardo Bertolucci, is a long and high-budget Italian period piece. Its cynical vulgarity and ugly inanity drove me to stop watching it after two hours and nine minutes.

It’s the kind of film a sexual liberal of the Seventies would put out. Two boys talk about their exposed penises. As men they are in bed together with one (prostituting) woman. An aging landowner instructively exhibits to a girl of about fourteen a member that will ever be non-erect. Had enough sex stuff yet? In themselves only one of these scenes is artistically bad (the two boys), but all are part of an offputting two-hour whole. The nine minutes beyond the two hours I saw were stupid (why is Robert De Niro so passive before Dominique Sanda?) I don’t regret not finishing 1900.

“Punch Drunk Love” Has Its Virtues, But . . .

Cover of "Punch-Drunk Love (Two Disc Spec...

Cover via Amazon

Paul Thomas Anderson‘s Punch-Drunk Love (2002) is an existentialist romantic comedy.  The protagonist is a severely frustrated misfit (Adam Sandler) who meets a girl who is gaga over him.  What hinders it from working is a rotten subplot wherein Sandler encounters a crooked phone-sex girl and her unprincipled employer; naught but the lamest absurdism is in this.  Virtues include Anderson’s jittery, intimidating mise en scene (the birthday party, the car wreck, etc.) and Jon Brion‘s strange, take-charge score.  Also, the film is often funny but, to me, too eccentric.

Jewish Writers Losing Their Universe In “The Twenty-Seventh Man”

Stalin does not respect you, Joe Poet. He is willing to torture and kill you. You’re Jewish.

Another piece from The Penguin Book of the Modern American Short Story, Nathan Englander‘s “The Twenty-Seventh Man” (1998) owes its existence to Stalin’s anti-Semitic oppression in the Soviet Union. Four Russian literary artists, among twenty-three others, are arrested and destined to die, because they are Jews. “We’ve lost our universe, this is true,” one of them says. A young man named Pinchas represents the artist who is snuffed out by a sinister world before he is known and loved.

A terrific story, this. Englander writes wryly and knowingly. His dialogue is delicious. John Freeman opines that this is a tale about the madness of “a state at war with truth.”

The Masses In “Cartel Country”

Most migrants do not qualify for legal asylum in the U.S. This is an unsurprising info item in a short documentary which contains a few surprising info items and many unsettling ones. I mean the Federalist dot com documentary (which I viewed on YouTube), Cartel Country: The Untold Story of America’s Black Market on the Border (2022) , a sad film about border crossers and the cartels.

Migrants flee poverty, organized crime, and gang violence. Curiously, we hear Haitians tell an interviewer that they emigrated to such places as Chile and Brazil but eventually moved out (because of no prospects?) to try to enter the United States. We see migrants in Mexico near the U.S. border naturally filling the shelters until there is no more room and people are sleeping in the streets. Many of such migrants do not know how to enter the country once they’re close to it. Often they wish to hire lawyers.

Lawyers or not, masses of them are here. Illegal immigration is much in the news right now, but I don’t much care what the major networks are saying about it. I would decidedly rather see this 36-minute doc. Calmly it presents quite a lot.

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