Movies, books, music and TV

Category: Movies Page 50 of 52

When Eminem Was Hot Stuff: 2003’s “8 Mile” – A Movie Review

Cover of "8 Mile (Widescreen Edition)"

Cover of 8 Mile (Widescreen Edition)

Eminem, in 8 Mile, plays a Detroit post-teenager who dreams of becoming a rap singer, who both has black friends and receives hostility from blacks who don’t like his career intentions.  For all its hokiness it’s a good movie, chiefly because of its depiction of working-class life in an American city.  Scott Silver’s script is fragile, but Curtis Hanson directs it with flair and know-how.  Eminem’s acting is hollow but the other performers shine.  E.g., Mekhi Phifer  is urban tough but nonthreatening as one of Eminem’s friends, he who asserts he intends to square things with the Lord but never gets around to it.  Kim Basinger gives a nicely complex performance as the white rapper’s mother, and the late Brittany Murphy effectively plays, er, an affable slut.  It’s not much of a role.  It is not even clear that Silver is aware she is a slut.

Another problem: the obligatory embarrassing sex scene.  And another: rap music.  The one Eminem rap song I have heard in its entirety struck me as trivial and unfunny, and the tripe spewed out in 8 Mile is no better.  One wishes we had Duke Ellington and Scott Joplin around to teach this white kid a lesson.

Spurning a “Blue Valentine” – A Movie Review

Country Valentine

Image by .bobby via Flickr

Derek Cianfrance’s Blue Valentine (2011) deals with the deeply troubled marriage of Dean and Cindy (Ryan Gosling and Michelle Williams).

Have you ever seen the Swedish film, The Passion of Anna, by Ingmar Bergman? It, too, has a lot to do with relationships between men and women.  I don’t consider it a success because, for one thing, it’s too talky, but it makes Blue Valentine look utterly lousy by comparison.  At least Bergman (in Passion) cared about character development; Cinafrance doesn’t.  We learn very little about Dean and even less about Cindy.  (Why, really, is their marriage such a failure?  The movie more than hints that it’s all Dean’s fault, but that explains nothing.)

At least Bergman fashioned quite a few powerful scenes; too many of Valentine‘s scenes get boring.  Ross Douthat of National Review finds the couple’s courtship “very charming.”  I don’t.  Usually, when people in movies are shown falling in love, it’s sleep-inducing.

There is a certain degree of artistic strength in Cianfrance’s film, but mainly it’s a draggy work of pseudo-art.

Give “Please Give” a Chance – Movie Review

Please Give

Image by HowardLake via Flickr

Written and directed by Nicole Holofcener, the comedy-drama Please Give (2010) has to do with moral responsibility when it is unmet (except in the case of Rebecca [Rebecca Hall]) and with feeling guilty.  Kate (Catherine Keener) hands out money to the homeless and contemplates doing volunteer work only in order to assuage her guilt over exploiting the deaths of elderly people who own valuable furniture.  Only near the film’s conclusion does she conduct a form of giving which is not just a means of reducing guilt, as when she agrees to buy her teenaged daughter a pair of costly jeans.  Her culpability is nothing, however, compared with that of some other characters, who are nevertheless guilt-free.  Whence comes this reality?

Holofcener (Friends With Money) is a true artist–and an intelligent one.  This despite the fact that Please Give provides an unearned happy or optimistic ending.  It resolves itself with scenes of family affection, which is inadequate.

Even so, the film is absorbing and the acting is utterly winning.

Juno – Movie Review. It’s Smart.

Weekend Movie ReviewIn Jason Reitman‘s smart, racy and delightful film, penned by Diablo Cody, Juno (Ellen Page) is a scrappy but sensitive teen girl who initiates sex with her male chum Paulie (Michael Cera) and afterwards gets big with child. She can’t bring herself to have an abortion but is too young to parent, so adoption is the only alternative.

Changeling Movie Review

Dean's Movie Review

I got tired long ago of movies that focus on immoral, abusive police officers. There are too many of them. Clint Eastwood‘s “Changeling” does that, too, but I can take a small amount of comfort in the fact that ITS police officers exist numerous decades ago in the late 1920s.

Cover of "Changeling"

Cover of Changeling

And in the fact that there’s a brutal, psychopathic killer in the film whom the police don’t try to protect.

Ah, but what about all the snake-pit balderdash at the mental hospital to which poor Angelina Jolie is consigned?

“Changeling” is more intriguing than successful. Joe Morgenstern of the “Wall Street Journal” correctly points out that

a) folks in the Twenties didn’t jabber about self-esteem and

b) the woman played by Jolie and the preacher played by John Malkovich are together a lot “but don’t really interact.”

They should, but they don’t.

Eastwood’s film handles some grisly subject matter with an ineptitude so many of his other movies have been marked with as well.

Page 50 of 52

Powered by WordPress & Theme by Anders Norén