Movies, books, music and TV

Category: General Page 226 of 270

I Won’t Take A Bullet For Stallone: “Bullet to the Head”

Presumably the makers of the 2013 crime thriller Bullet to the Head hoped to fashion something as entertaining as 24—a TV series which is flawed, exciting, good.  Unfortunately, the movie they cranked out is flawed, exciting, bad, without any of the elements that immediately save 24.

Sylvester Stallone is an arrogant actor here and is miscast as a hired killer.  He and his fellow hit man do their snuffing out, but are set up by the villains who hired them; and the reason for the set up is as dumb as everything else in the film.  Why does the double crosser try to kill Stallone and his partner with a knife instead of a gun?  Later on, Stallone grudgingly teams up with an Asian-American cop (Sung Kang) to root out Adewale Akinnoye-Agbaje’s international thug (Stallone’s betrayer).  But the film has the chutzpah to make Akinnoye-Agbaje a complete idiot—not much of a match for the hit man and the cop.  Why, for example, does the thug allow a muscular baddie played by Jason Momoa to become a loose cannon?

Bullet is based on a graphic novel, which is often asking for trouble.  Yes, it is exciting . . . and raw . . . but it ain’t TV.  NOT EVEN THAT!

The Old Masterpiece, “Mutiny On The Bounty” (1935)

Cropped screenshot of Charles Laughton from th...

Cropped screenshot of Charles Laughton from the trailer for the film Mutiny on the Bounty. (Photo credit: Wikipedia)

I’ve never read Mutiny on the Bounty, but the ’35 film version, for all the sappy-silly Tahiti material, seems a well-made and even felt adaptation.

Captain Bligh is an expert seaman but also a mean fool, wanting only to impose his ruthless will.  Charles Laughton plays him with astonishing aplomb, frighteningly. . . Second in command Fletcher Christian (Clark Gable) simply refuses to have men at Bligh’s mercy any longer, uncondonable though some of the Bounty’s sailors find the mutiny.  Incontestable here is an urgent need for the liberalization of the English navy, with the navy itself seen as utterly honorable and necessary by the filmmakers.  It becomes almost palpable that the film is liberal—though certifiably separate from today’s liberalism—because it is conservative.  It wants what is best for a timeless institution.

A great deal goes on in Mutiny on the Bounty, which is two hours and ten minutes long.  Frank Lloyd directed with a fine sense of seafaring adventure and of grandeur.  It is, I think, a masterpiece.

 

We’re Game For “Game Of Thrones”

Fire and Blood (Game of Thrones)

Fire and Blood (Game of Thrones) (Photo credit: Wikipedia)

Man—such an ill-fated creature.

His ill-fatedness is very much a theme in the HBO series, Game of Thrones, wherein one would expect quite a few of the major characters (not just Ned Stark and the primitive Big Boy married to Daenerys) to tragically die.  It’s a terrible world they live in, a very arduous environment, sinful and pagan, natural and magical.  There is a lot of surviving, though, and it must be said that the slender young queen, Daenerys (Emilia Clarke), really knows how to triumph as a warrior, as at the recherche end of the show’s first season.

Probably Season 3 is one of the finest “movies” of 2013.  (Season 2, on the other hand, was often a lot of noise and meandering.)  The drama has engrossing and colorful incidents, such as the dwarf Tyrion’s marriage to young Sansa and the mad battle with the bear, and heart and momentum.  The acting is mostly solid: consider Peter Dinklage, Charles Dance (Daddy Lannister), Michelle Fairley (Catelyn Stark).  The very pretty Natalie Dormer is also on hand, flavorful and capable of coyness.

I hope it’s not an ill-fated series.

(The photo is of Emilia Clarke.)

 

Sympathy For The Naughty Kennedys – “The Kennedys” Miniseries

Français : Logo de la minisérie THE KENNEDYS. ...

Français : Logo de la minisérie THE KENNEDYS. Français : Logo de la minisérie THE KENNEDYS. (Photo credit: Wikipedia)

To me, one of the best “movies,” if you will, of 2011 aired on TV and was eight hours long (eight episodes long).  It was The Kennedys, a docudrama not entirely free of blandness but also workmanlike and discerning.

Greg Kinnear is good as JFK, Tom Wilkinson terrific as Joe Kennedy Sr. in all his corruption.  As the elegant Jackie, Katie Holmes looks the part but histrionically lacks conviction.  The show’s focus is always on the mark, with the Cuban missile crisis covered vividly and painstakingly.  An air of sympathy and compassion never goes away even as hagiography never intrudes.

The Kennedys is available on DVD.

Dr. Samuel Mudd Is “The Prisoner of Shark Island” (1936)

The Prisoner of Shark Island

The Prisoner of Shark Island (Photo credit: Wikipedia)

The John Ford film, The Prisoner of Shark Island (1936), is about Dr. Samuel Mudd, who treated the broken leg of John Wilkes Booth shortly after Booth murdered Lincoln and was consequently arrested for conspiracy to assassinate (!) and sent to serve a life sentence in the Dry Tortugas.

When a decent man is victimized by the authorities—this is the message conveyed.  As the terrible incidents roll, also conveyed are all kinds of values (and virtues): courage, persistence, belief in God, marital love and, despite the country’s injustice to Dr. Mudd, patriotism.  Plus there is military pride, as demonstrated by Mudd’s crotchety father-in-law, an elderly Southern colonel (Claude Gillingwater).  Today both he and Mudd would be seen as politically incorrect (yawn): the doctor, you see, is a decent, estimable SLAVER.

Prisoner is still riveting, and I agree with film critic Otis Ferguson about the strength and worth of the prison escape sequence.  Nunnally Johnson’s script provides more depth than we generally get from Ford’s Westerns, even if the old American movies never enabled us to feel the ineradicable wound of life.  Their unpleasantness was limited.

 

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